What is known about the Ubaid lizard-people figurines?What kind of incense was used by the Sumerians?Why is Sulla's nose in the bust in Munich Glyptothek broken?How is it known that Phidias used the golden ratio in the Parthenon?About the use of the arrow shaped tool in archaological digsWhom does this statue to the left of the cordonata leading up to Piazza del Campidoglio depict?What colors were used as paint in the construction of the ziggurats in early Sumer?How many people were there in a average Magdalenian group? (And what about Gravettian groups?)
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What is known about the Ubaid lizard-people figurines?
What kind of incense was used by the Sumerians?Why is Sulla's nose in the bust in Munich Glyptothek broken?How is it known that Phidias used the golden ratio in the Parthenon?About the use of the arrow shaped tool in archaological digsWhom does this statue to the left of the cordonata leading up to Piazza del Campidoglio depict?What colors were used as paint in the construction of the ziggurats in early Sumer?How many people were there in a average Magdalenian group? (And what about Gravettian groups?)
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margin-bottom:0;
.everyonelovesstackoverflowposition:absolute;height:1px;width:1px;opacity:0;top:0;left:0;pointer-events:none;
I find the Ubaid lizard-people figurines visually captivating. But for obvious reasons it's difficult to search for information about them online without wading chest deep through pages of ancient aliens garbage, for little reward. So far I've managed to find pictures of several different figurines, that they were excavated at Ur, and that they date from the Ubaid period, and that they may present evidence for several varieties of body modification - though I don't know how solid that last one is.
What else do we actually know about these odd and arresting figures? Are there theories as to their origins, and significance within Mesopotamian art or religious belief? Are the majority female, as seems to be from the pictures, and what are they wearing and holding?

art archaeology mesopotamia sumer sculpture
add a comment
|
I find the Ubaid lizard-people figurines visually captivating. But for obvious reasons it's difficult to search for information about them online without wading chest deep through pages of ancient aliens garbage, for little reward. So far I've managed to find pictures of several different figurines, that they were excavated at Ur, and that they date from the Ubaid period, and that they may present evidence for several varieties of body modification - though I don't know how solid that last one is.
What else do we actually know about these odd and arresting figures? Are there theories as to their origins, and significance within Mesopotamian art or religious belief? Are the majority female, as seems to be from the pictures, and what are they wearing and holding?

art archaeology mesopotamia sumer sculpture
A link to further information would be helpful; I've never seen these and would like to learn more.
– Mark C. Wallace♦
Apr 17 at 8:36
1
@MarkC.Wallace I've added a link to a downloadable version of Aurelie Daems' excellent paper A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines to my answer. That should help get you started and includes a very handy bibliography.
– sempaiscuba♦
Apr 17 at 12:03
add a comment
|
I find the Ubaid lizard-people figurines visually captivating. But for obvious reasons it's difficult to search for information about them online without wading chest deep through pages of ancient aliens garbage, for little reward. So far I've managed to find pictures of several different figurines, that they were excavated at Ur, and that they date from the Ubaid period, and that they may present evidence for several varieties of body modification - though I don't know how solid that last one is.
What else do we actually know about these odd and arresting figures? Are there theories as to their origins, and significance within Mesopotamian art or religious belief? Are the majority female, as seems to be from the pictures, and what are they wearing and holding?

art archaeology mesopotamia sumer sculpture
I find the Ubaid lizard-people figurines visually captivating. But for obvious reasons it's difficult to search for information about them online without wading chest deep through pages of ancient aliens garbage, for little reward. So far I've managed to find pictures of several different figurines, that they were excavated at Ur, and that they date from the Ubaid period, and that they may present evidence for several varieties of body modification - though I don't know how solid that last one is.
What else do we actually know about these odd and arresting figures? Are there theories as to their origins, and significance within Mesopotamian art or religious belief? Are the majority female, as seems to be from the pictures, and what are they wearing and holding?

art archaeology mesopotamia sumer sculpture
art archaeology mesopotamia sumer sculpture
edited Apr 17 at 0:23
Flux
asked Apr 17 at 0:12
FluxFlux
3441 silver badge11 bronze badges
3441 silver badge11 bronze badges
A link to further information would be helpful; I've never seen these and would like to learn more.
– Mark C. Wallace♦
Apr 17 at 8:36
1
@MarkC.Wallace I've added a link to a downloadable version of Aurelie Daems' excellent paper A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines to my answer. That should help get you started and includes a very handy bibliography.
– sempaiscuba♦
Apr 17 at 12:03
add a comment
|
A link to further information would be helpful; I've never seen these and would like to learn more.
– Mark C. Wallace♦
Apr 17 at 8:36
1
@MarkC.Wallace I've added a link to a downloadable version of Aurelie Daems' excellent paper A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines to my answer. That should help get you started and includes a very handy bibliography.
– sempaiscuba♦
Apr 17 at 12:03
A link to further information would be helpful; I've never seen these and would like to learn more.
– Mark C. Wallace♦
Apr 17 at 8:36
A link to further information would be helpful; I've never seen these and would like to learn more.
– Mark C. Wallace♦
Apr 17 at 8:36
1
1
@MarkC.Wallace I've added a link to a downloadable version of Aurelie Daems' excellent paper A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines to my answer. That should help get you started and includes a very handy bibliography.
– sempaiscuba♦
Apr 17 at 12:03
@MarkC.Wallace I've added a link to a downloadable version of Aurelie Daems' excellent paper A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines to my answer. That should help get you started and includes a very handy bibliography.
– sempaiscuba♦
Apr 17 at 12:03
add a comment
|
1 Answer
1
active
oldest
votes
There are many theories & interpretations, but relatively little evidence to support most of them. Of course, there are no written sources from the Ubaid period to support them.
You are absolutely right that there hasn't been a great deal of published material on the subject. However, a good, and relatively recent (2006), paper on the subject is A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines by Aurelie Daems in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, Edited by Robert A Carter & Graham Philip, pp 149-161, (published by the Oriental Institute at the University of Chicago, and currently available as a pdf file on their website).
That volume also has other papers that you might find of interest, including one on Ubaid head-shaping, which is particularly relevant to these figurines.
The one you have at bottom left (and top right) is interpreted as holding / nursing a baby. A similar figure, in this case missing the head, can be seen in this example from the British Museum:

- Image Source British Museum (CC BY-NC-SA 4.0)
Figures generally appear to be naked. The marks on the bodies may indicate tattoos or ritual scarification, or a combination of the two (or something else entirely).
We have figures representing both males and females, but sexual dimorphism is less evident in figures of the Ubaid period (in stark contrast to figures from earlier periods). You have male figure in the bottom-right of your picture.
The Ubaid figurines tend to show male and female figures with similar proportions, and rather than emphasising the differences between the sexes they tend to emphasise the forms of body ornamentation (assuming the marks do actually represent tattoos or ritual scarification), and cranial deformation common to both.
We seem to be on much more secure ground when it comes to explaining the shape of the heads of the figurines.
These almost certainly represent skulls that were bound in infancy to deliberately modify the shape (a practice known from many other cultures, and which is still practised in Vanuatu, for example). We have good osteological evidence for the practice from excavated human remains from the period.
The practice of intentional cranial deformation by binding the skull in infancy is strongly supported by skeletal evidence from a number of fifth-millennium sites in the region. These sites include
- Değirmentepe (Özbek, 2003)
- Arpachiyah (Molleson and Campbell, 1995)
In addition, we may have evidence from Eridu (Lorentz 2010, p128), although this is a little less certain due to the fragmentary nature of the remains.
These examples, illustrating cranial deformation, were excavated at Şeyh Höyük, and are now in the collection of the Ankara Museum:

- Figure 9.3 in Kirsi O. Lorentz: Ubaid Headshaping: Negotiations of identity through physical appearance published in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, cited earlier
For brevity, I'll mention just two studies here:
Özbek's 2003 study of the skeletal remains from 31 individuals at Değirmentepe, which provided solid evidence for artificial cranial deformation, probably achieved by binding the skull in infancy.
Özbal's study, also in 2003, revealed 13 skeletons showing evidence for deliberate cranial deformation. In this case, the practice was observed across all age-ranges from the sample. The evidence strongly suggested that the required deformation was achieved by binding the head with bandages. This caused flattening or compression of the frontal bone of the skull. (Özbal 2003).
(I'd also highly recommend the paper by Molleson & Campbell, although I should declare an interest since Theya Molleson was my tutor when I studied human osteology as part of my Archaeology master degree)
In addition, you might find the 2011 PhD thesis, The Social Life of Human Remains: Burial rites and the accumulation of capital during the transition from Neolithic to urban societies in the Near East by Gareth David Brereton of UCL, of interest. He mentions these and other figurines of the period, together with the evidence from burials as discussed above.
Sources
Although written back in 1968, Peter Ucko's book Anthropomorphic figurines of predynastic Egypt and neolithic Crete with comparative material from the prehistoric Near East and mainland Greece. (Royal Anthropological Institute Occasional Paper No. 24) remains one of the standard texts for this subject, although the Ubaid figurines form only a small part of the study. I'm not aware of any copies available online though.
The following sources are much more up-to-date.
Deams, A and K. Croucher: Artificial Cranial Modification in Prehistoric Iran:
Evidence from Crania and Figurines. Iranica Antiqua 42, 2007, pp 1-21.Lorentz, K. O: Ubaid Headshaping: Negotiations of Identity Through Physical
Appearance? In R. A. Carter and G. Philip (eds.), Beyond the Ubaid. Transformation
and Integration in the Late Prehistoric Societies of the Near East, The Oriental Institute of the University of Chicago, 2010, pp 124-148.Molleson, T., and S, Campbell: Deformed Skulls at Arpachiyah: The Social
Context. In S. Campbell and A. Green (eds.), The Archaeology of Death in the Ancient
Near East, 1995, pp 45-55. Oxbow Monographs 51. Oxford.Özbal, R: Tell Kurdu'nda Mikro Arkeolojik Çalişmalar, 2003
Özbek, M: 2001. Cranial Deformation in a Subadult Sample From
Deĝirmentepe (Chalcolithic, Turkey), American Journal of Physical
Anthropology, Volume 115, Issue 3, July 2001, pp 238-244
1
Excellent, thanks. Aside from the cranial deformation, which sounds like it's pretty much cinched going by those remains, is there any reasonable speculation as to why they're so reptilian? (Going by the bug-eyes, snouts, and open nostrils, in the homeland of Gilgamesh and the Enuma Elish.) Or is there just not enough context available to say anything much about that? Secondarily, if you know, are those odd holes below the lips believed to be anything in particular? Piercings?
– Flux
Apr 17 at 3:31
2
@Flux There are lots of guesses about the appearance, but the truth is that we simply don't know. It could just be that was the artistic style of the time. It may have something to do with the function of the statuettes (we don't know what that was). Without texts or some other evidence it's all just guesswork. Since the soft tissues don't survive, the suggestion that the marks are tattoos or scarification are also guesses (in that case, based on evidence from ethnographic parallels, but still guesses).
– sempaiscuba♦
Apr 17 at 3:40
Ah, figured that would be the case.
– Flux
Apr 17 at 3:42
This is plausible for cranial features, but the facial ones? Why no parallel to Egyptian gods with animal heads, chimeras?
– LangLangC
Apr 17 at 4:33
3
@LangLangC You might find the suggested, tentative, links to other regional styles in the paper by Aurelie Daems, that I've just added to my answer, of interest.
– sempaiscuba♦
Apr 17 at 12:09
|
show 1 more comment
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There are many theories & interpretations, but relatively little evidence to support most of them. Of course, there are no written sources from the Ubaid period to support them.
You are absolutely right that there hasn't been a great deal of published material on the subject. However, a good, and relatively recent (2006), paper on the subject is A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines by Aurelie Daems in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, Edited by Robert A Carter & Graham Philip, pp 149-161, (published by the Oriental Institute at the University of Chicago, and currently available as a pdf file on their website).
That volume also has other papers that you might find of interest, including one on Ubaid head-shaping, which is particularly relevant to these figurines.
The one you have at bottom left (and top right) is interpreted as holding / nursing a baby. A similar figure, in this case missing the head, can be seen in this example from the British Museum:

- Image Source British Museum (CC BY-NC-SA 4.0)
Figures generally appear to be naked. The marks on the bodies may indicate tattoos or ritual scarification, or a combination of the two (or something else entirely).
We have figures representing both males and females, but sexual dimorphism is less evident in figures of the Ubaid period (in stark contrast to figures from earlier periods). You have male figure in the bottom-right of your picture.
The Ubaid figurines tend to show male and female figures with similar proportions, and rather than emphasising the differences between the sexes they tend to emphasise the forms of body ornamentation (assuming the marks do actually represent tattoos or ritual scarification), and cranial deformation common to both.
We seem to be on much more secure ground when it comes to explaining the shape of the heads of the figurines.
These almost certainly represent skulls that were bound in infancy to deliberately modify the shape (a practice known from many other cultures, and which is still practised in Vanuatu, for example). We have good osteological evidence for the practice from excavated human remains from the period.
The practice of intentional cranial deformation by binding the skull in infancy is strongly supported by skeletal evidence from a number of fifth-millennium sites in the region. These sites include
- Değirmentepe (Özbek, 2003)
- Arpachiyah (Molleson and Campbell, 1995)
In addition, we may have evidence from Eridu (Lorentz 2010, p128), although this is a little less certain due to the fragmentary nature of the remains.
These examples, illustrating cranial deformation, were excavated at Şeyh Höyük, and are now in the collection of the Ankara Museum:

- Figure 9.3 in Kirsi O. Lorentz: Ubaid Headshaping: Negotiations of identity through physical appearance published in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, cited earlier
For brevity, I'll mention just two studies here:
Özbek's 2003 study of the skeletal remains from 31 individuals at Değirmentepe, which provided solid evidence for artificial cranial deformation, probably achieved by binding the skull in infancy.
Özbal's study, also in 2003, revealed 13 skeletons showing evidence for deliberate cranial deformation. In this case, the practice was observed across all age-ranges from the sample. The evidence strongly suggested that the required deformation was achieved by binding the head with bandages. This caused flattening or compression of the frontal bone of the skull. (Özbal 2003).
(I'd also highly recommend the paper by Molleson & Campbell, although I should declare an interest since Theya Molleson was my tutor when I studied human osteology as part of my Archaeology master degree)
In addition, you might find the 2011 PhD thesis, The Social Life of Human Remains: Burial rites and the accumulation of capital during the transition from Neolithic to urban societies in the Near East by Gareth David Brereton of UCL, of interest. He mentions these and other figurines of the period, together with the evidence from burials as discussed above.
Sources
Although written back in 1968, Peter Ucko's book Anthropomorphic figurines of predynastic Egypt and neolithic Crete with comparative material from the prehistoric Near East and mainland Greece. (Royal Anthropological Institute Occasional Paper No. 24) remains one of the standard texts for this subject, although the Ubaid figurines form only a small part of the study. I'm not aware of any copies available online though.
The following sources are much more up-to-date.
Deams, A and K. Croucher: Artificial Cranial Modification in Prehistoric Iran:
Evidence from Crania and Figurines. Iranica Antiqua 42, 2007, pp 1-21.Lorentz, K. O: Ubaid Headshaping: Negotiations of Identity Through Physical
Appearance? In R. A. Carter and G. Philip (eds.), Beyond the Ubaid. Transformation
and Integration in the Late Prehistoric Societies of the Near East, The Oriental Institute of the University of Chicago, 2010, pp 124-148.Molleson, T., and S, Campbell: Deformed Skulls at Arpachiyah: The Social
Context. In S. Campbell and A. Green (eds.), The Archaeology of Death in the Ancient
Near East, 1995, pp 45-55. Oxbow Monographs 51. Oxford.Özbal, R: Tell Kurdu'nda Mikro Arkeolojik Çalişmalar, 2003
Özbek, M: 2001. Cranial Deformation in a Subadult Sample From
Deĝirmentepe (Chalcolithic, Turkey), American Journal of Physical
Anthropology, Volume 115, Issue 3, July 2001, pp 238-244
1
Excellent, thanks. Aside from the cranial deformation, which sounds like it's pretty much cinched going by those remains, is there any reasonable speculation as to why they're so reptilian? (Going by the bug-eyes, snouts, and open nostrils, in the homeland of Gilgamesh and the Enuma Elish.) Or is there just not enough context available to say anything much about that? Secondarily, if you know, are those odd holes below the lips believed to be anything in particular? Piercings?
– Flux
Apr 17 at 3:31
2
@Flux There are lots of guesses about the appearance, but the truth is that we simply don't know. It could just be that was the artistic style of the time. It may have something to do with the function of the statuettes (we don't know what that was). Without texts or some other evidence it's all just guesswork. Since the soft tissues don't survive, the suggestion that the marks are tattoos or scarification are also guesses (in that case, based on evidence from ethnographic parallels, but still guesses).
– sempaiscuba♦
Apr 17 at 3:40
Ah, figured that would be the case.
– Flux
Apr 17 at 3:42
This is plausible for cranial features, but the facial ones? Why no parallel to Egyptian gods with animal heads, chimeras?
– LangLangC
Apr 17 at 4:33
3
@LangLangC You might find the suggested, tentative, links to other regional styles in the paper by Aurelie Daems, that I've just added to my answer, of interest.
– sempaiscuba♦
Apr 17 at 12:09
|
show 1 more comment
There are many theories & interpretations, but relatively little evidence to support most of them. Of course, there are no written sources from the Ubaid period to support them.
You are absolutely right that there hasn't been a great deal of published material on the subject. However, a good, and relatively recent (2006), paper on the subject is A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines by Aurelie Daems in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, Edited by Robert A Carter & Graham Philip, pp 149-161, (published by the Oriental Institute at the University of Chicago, and currently available as a pdf file on their website).
That volume also has other papers that you might find of interest, including one on Ubaid head-shaping, which is particularly relevant to these figurines.
The one you have at bottom left (and top right) is interpreted as holding / nursing a baby. A similar figure, in this case missing the head, can be seen in this example from the British Museum:

- Image Source British Museum (CC BY-NC-SA 4.0)
Figures generally appear to be naked. The marks on the bodies may indicate tattoos or ritual scarification, or a combination of the two (or something else entirely).
We have figures representing both males and females, but sexual dimorphism is less evident in figures of the Ubaid period (in stark contrast to figures from earlier periods). You have male figure in the bottom-right of your picture.
The Ubaid figurines tend to show male and female figures with similar proportions, and rather than emphasising the differences between the sexes they tend to emphasise the forms of body ornamentation (assuming the marks do actually represent tattoos or ritual scarification), and cranial deformation common to both.
We seem to be on much more secure ground when it comes to explaining the shape of the heads of the figurines.
These almost certainly represent skulls that were bound in infancy to deliberately modify the shape (a practice known from many other cultures, and which is still practised in Vanuatu, for example). We have good osteological evidence for the practice from excavated human remains from the period.
The practice of intentional cranial deformation by binding the skull in infancy is strongly supported by skeletal evidence from a number of fifth-millennium sites in the region. These sites include
- Değirmentepe (Özbek, 2003)
- Arpachiyah (Molleson and Campbell, 1995)
In addition, we may have evidence from Eridu (Lorentz 2010, p128), although this is a little less certain due to the fragmentary nature of the remains.
These examples, illustrating cranial deformation, were excavated at Şeyh Höyük, and are now in the collection of the Ankara Museum:

- Figure 9.3 in Kirsi O. Lorentz: Ubaid Headshaping: Negotiations of identity through physical appearance published in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, cited earlier
For brevity, I'll mention just two studies here:
Özbek's 2003 study of the skeletal remains from 31 individuals at Değirmentepe, which provided solid evidence for artificial cranial deformation, probably achieved by binding the skull in infancy.
Özbal's study, also in 2003, revealed 13 skeletons showing evidence for deliberate cranial deformation. In this case, the practice was observed across all age-ranges from the sample. The evidence strongly suggested that the required deformation was achieved by binding the head with bandages. This caused flattening or compression of the frontal bone of the skull. (Özbal 2003).
(I'd also highly recommend the paper by Molleson & Campbell, although I should declare an interest since Theya Molleson was my tutor when I studied human osteology as part of my Archaeology master degree)
In addition, you might find the 2011 PhD thesis, The Social Life of Human Remains: Burial rites and the accumulation of capital during the transition from Neolithic to urban societies in the Near East by Gareth David Brereton of UCL, of interest. He mentions these and other figurines of the period, together with the evidence from burials as discussed above.
Sources
Although written back in 1968, Peter Ucko's book Anthropomorphic figurines of predynastic Egypt and neolithic Crete with comparative material from the prehistoric Near East and mainland Greece. (Royal Anthropological Institute Occasional Paper No. 24) remains one of the standard texts for this subject, although the Ubaid figurines form only a small part of the study. I'm not aware of any copies available online though.
The following sources are much more up-to-date.
Deams, A and K. Croucher: Artificial Cranial Modification in Prehistoric Iran:
Evidence from Crania and Figurines. Iranica Antiqua 42, 2007, pp 1-21.Lorentz, K. O: Ubaid Headshaping: Negotiations of Identity Through Physical
Appearance? In R. A. Carter and G. Philip (eds.), Beyond the Ubaid. Transformation
and Integration in the Late Prehistoric Societies of the Near East, The Oriental Institute of the University of Chicago, 2010, pp 124-148.Molleson, T., and S, Campbell: Deformed Skulls at Arpachiyah: The Social
Context. In S. Campbell and A. Green (eds.), The Archaeology of Death in the Ancient
Near East, 1995, pp 45-55. Oxbow Monographs 51. Oxford.Özbal, R: Tell Kurdu'nda Mikro Arkeolojik Çalişmalar, 2003
Özbek, M: 2001. Cranial Deformation in a Subadult Sample From
Deĝirmentepe (Chalcolithic, Turkey), American Journal of Physical
Anthropology, Volume 115, Issue 3, July 2001, pp 238-244
1
Excellent, thanks. Aside from the cranial deformation, which sounds like it's pretty much cinched going by those remains, is there any reasonable speculation as to why they're so reptilian? (Going by the bug-eyes, snouts, and open nostrils, in the homeland of Gilgamesh and the Enuma Elish.) Or is there just not enough context available to say anything much about that? Secondarily, if you know, are those odd holes below the lips believed to be anything in particular? Piercings?
– Flux
Apr 17 at 3:31
2
@Flux There are lots of guesses about the appearance, but the truth is that we simply don't know. It could just be that was the artistic style of the time. It may have something to do with the function of the statuettes (we don't know what that was). Without texts or some other evidence it's all just guesswork. Since the soft tissues don't survive, the suggestion that the marks are tattoos or scarification are also guesses (in that case, based on evidence from ethnographic parallels, but still guesses).
– sempaiscuba♦
Apr 17 at 3:40
Ah, figured that would be the case.
– Flux
Apr 17 at 3:42
This is plausible for cranial features, but the facial ones? Why no parallel to Egyptian gods with animal heads, chimeras?
– LangLangC
Apr 17 at 4:33
3
@LangLangC You might find the suggested, tentative, links to other regional styles in the paper by Aurelie Daems, that I've just added to my answer, of interest.
– sempaiscuba♦
Apr 17 at 12:09
|
show 1 more comment
There are many theories & interpretations, but relatively little evidence to support most of them. Of course, there are no written sources from the Ubaid period to support them.
You are absolutely right that there hasn't been a great deal of published material on the subject. However, a good, and relatively recent (2006), paper on the subject is A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines by Aurelie Daems in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, Edited by Robert A Carter & Graham Philip, pp 149-161, (published by the Oriental Institute at the University of Chicago, and currently available as a pdf file on their website).
That volume also has other papers that you might find of interest, including one on Ubaid head-shaping, which is particularly relevant to these figurines.
The one you have at bottom left (and top right) is interpreted as holding / nursing a baby. A similar figure, in this case missing the head, can be seen in this example from the British Museum:

- Image Source British Museum (CC BY-NC-SA 4.0)
Figures generally appear to be naked. The marks on the bodies may indicate tattoos or ritual scarification, or a combination of the two (or something else entirely).
We have figures representing both males and females, but sexual dimorphism is less evident in figures of the Ubaid period (in stark contrast to figures from earlier periods). You have male figure in the bottom-right of your picture.
The Ubaid figurines tend to show male and female figures with similar proportions, and rather than emphasising the differences between the sexes they tend to emphasise the forms of body ornamentation (assuming the marks do actually represent tattoos or ritual scarification), and cranial deformation common to both.
We seem to be on much more secure ground when it comes to explaining the shape of the heads of the figurines.
These almost certainly represent skulls that were bound in infancy to deliberately modify the shape (a practice known from many other cultures, and which is still practised in Vanuatu, for example). We have good osteological evidence for the practice from excavated human remains from the period.
The practice of intentional cranial deformation by binding the skull in infancy is strongly supported by skeletal evidence from a number of fifth-millennium sites in the region. These sites include
- Değirmentepe (Özbek, 2003)
- Arpachiyah (Molleson and Campbell, 1995)
In addition, we may have evidence from Eridu (Lorentz 2010, p128), although this is a little less certain due to the fragmentary nature of the remains.
These examples, illustrating cranial deformation, were excavated at Şeyh Höyük, and are now in the collection of the Ankara Museum:

- Figure 9.3 in Kirsi O. Lorentz: Ubaid Headshaping: Negotiations of identity through physical appearance published in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, cited earlier
For brevity, I'll mention just two studies here:
Özbek's 2003 study of the skeletal remains from 31 individuals at Değirmentepe, which provided solid evidence for artificial cranial deformation, probably achieved by binding the skull in infancy.
Özbal's study, also in 2003, revealed 13 skeletons showing evidence for deliberate cranial deformation. In this case, the practice was observed across all age-ranges from the sample. The evidence strongly suggested that the required deformation was achieved by binding the head with bandages. This caused flattening or compression of the frontal bone of the skull. (Özbal 2003).
(I'd also highly recommend the paper by Molleson & Campbell, although I should declare an interest since Theya Molleson was my tutor when I studied human osteology as part of my Archaeology master degree)
In addition, you might find the 2011 PhD thesis, The Social Life of Human Remains: Burial rites and the accumulation of capital during the transition from Neolithic to urban societies in the Near East by Gareth David Brereton of UCL, of interest. He mentions these and other figurines of the period, together with the evidence from burials as discussed above.
Sources
Although written back in 1968, Peter Ucko's book Anthropomorphic figurines of predynastic Egypt and neolithic Crete with comparative material from the prehistoric Near East and mainland Greece. (Royal Anthropological Institute Occasional Paper No. 24) remains one of the standard texts for this subject, although the Ubaid figurines form only a small part of the study. I'm not aware of any copies available online though.
The following sources are much more up-to-date.
Deams, A and K. Croucher: Artificial Cranial Modification in Prehistoric Iran:
Evidence from Crania and Figurines. Iranica Antiqua 42, 2007, pp 1-21.Lorentz, K. O: Ubaid Headshaping: Negotiations of Identity Through Physical
Appearance? In R. A. Carter and G. Philip (eds.), Beyond the Ubaid. Transformation
and Integration in the Late Prehistoric Societies of the Near East, The Oriental Institute of the University of Chicago, 2010, pp 124-148.Molleson, T., and S, Campbell: Deformed Skulls at Arpachiyah: The Social
Context. In S. Campbell and A. Green (eds.), The Archaeology of Death in the Ancient
Near East, 1995, pp 45-55. Oxbow Monographs 51. Oxford.Özbal, R: Tell Kurdu'nda Mikro Arkeolojik Çalişmalar, 2003
Özbek, M: 2001. Cranial Deformation in a Subadult Sample From
Deĝirmentepe (Chalcolithic, Turkey), American Journal of Physical
Anthropology, Volume 115, Issue 3, July 2001, pp 238-244
There are many theories & interpretations, but relatively little evidence to support most of them. Of course, there are no written sources from the Ubaid period to support them.
You are absolutely right that there hasn't been a great deal of published material on the subject. However, a good, and relatively recent (2006), paper on the subject is A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines by Aurelie Daems in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, Edited by Robert A Carter & Graham Philip, pp 149-161, (published by the Oriental Institute at the University of Chicago, and currently available as a pdf file on their website).
That volume also has other papers that you might find of interest, including one on Ubaid head-shaping, which is particularly relevant to these figurines.
The one you have at bottom left (and top right) is interpreted as holding / nursing a baby. A similar figure, in this case missing the head, can be seen in this example from the British Museum:

- Image Source British Museum (CC BY-NC-SA 4.0)
Figures generally appear to be naked. The marks on the bodies may indicate tattoos or ritual scarification, or a combination of the two (or something else entirely).
We have figures representing both males and females, but sexual dimorphism is less evident in figures of the Ubaid period (in stark contrast to figures from earlier periods). You have male figure in the bottom-right of your picture.
The Ubaid figurines tend to show male and female figures with similar proportions, and rather than emphasising the differences between the sexes they tend to emphasise the forms of body ornamentation (assuming the marks do actually represent tattoos or ritual scarification), and cranial deformation common to both.
We seem to be on much more secure ground when it comes to explaining the shape of the heads of the figurines.
These almost certainly represent skulls that were bound in infancy to deliberately modify the shape (a practice known from many other cultures, and which is still practised in Vanuatu, for example). We have good osteological evidence for the practice from excavated human remains from the period.
The practice of intentional cranial deformation by binding the skull in infancy is strongly supported by skeletal evidence from a number of fifth-millennium sites in the region. These sites include
- Değirmentepe (Özbek, 2003)
- Arpachiyah (Molleson and Campbell, 1995)
In addition, we may have evidence from Eridu (Lorentz 2010, p128), although this is a little less certain due to the fragmentary nature of the remains.
These examples, illustrating cranial deformation, were excavated at Şeyh Höyük, and are now in the collection of the Ankara Museum:

- Figure 9.3 in Kirsi O. Lorentz: Ubaid Headshaping: Negotiations of identity through physical appearance published in Beyond the Ubaid: Transformation and Integration in the Late Prehistoric Societies of the Middle East, cited earlier
For brevity, I'll mention just two studies here:
Özbek's 2003 study of the skeletal remains from 31 individuals at Değirmentepe, which provided solid evidence for artificial cranial deformation, probably achieved by binding the skull in infancy.
Özbal's study, also in 2003, revealed 13 skeletons showing evidence for deliberate cranial deformation. In this case, the practice was observed across all age-ranges from the sample. The evidence strongly suggested that the required deformation was achieved by binding the head with bandages. This caused flattening or compression of the frontal bone of the skull. (Özbal 2003).
(I'd also highly recommend the paper by Molleson & Campbell, although I should declare an interest since Theya Molleson was my tutor when I studied human osteology as part of my Archaeology master degree)
In addition, you might find the 2011 PhD thesis, The Social Life of Human Remains: Burial rites and the accumulation of capital during the transition from Neolithic to urban societies in the Near East by Gareth David Brereton of UCL, of interest. He mentions these and other figurines of the period, together with the evidence from burials as discussed above.
Sources
Although written back in 1968, Peter Ucko's book Anthropomorphic figurines of predynastic Egypt and neolithic Crete with comparative material from the prehistoric Near East and mainland Greece. (Royal Anthropological Institute Occasional Paper No. 24) remains one of the standard texts for this subject, although the Ubaid figurines form only a small part of the study. I'm not aware of any copies available online though.
The following sources are much more up-to-date.
Deams, A and K. Croucher: Artificial Cranial Modification in Prehistoric Iran:
Evidence from Crania and Figurines. Iranica Antiqua 42, 2007, pp 1-21.Lorentz, K. O: Ubaid Headshaping: Negotiations of Identity Through Physical
Appearance? In R. A. Carter and G. Philip (eds.), Beyond the Ubaid. Transformation
and Integration in the Late Prehistoric Societies of the Near East, The Oriental Institute of the University of Chicago, 2010, pp 124-148.Molleson, T., and S, Campbell: Deformed Skulls at Arpachiyah: The Social
Context. In S. Campbell and A. Green (eds.), The Archaeology of Death in the Ancient
Near East, 1995, pp 45-55. Oxbow Monographs 51. Oxford.Özbal, R: Tell Kurdu'nda Mikro Arkeolojik Çalişmalar, 2003
Özbek, M: 2001. Cranial Deformation in a Subadult Sample From
Deĝirmentepe (Chalcolithic, Turkey), American Journal of Physical
Anthropology, Volume 115, Issue 3, July 2001, pp 238-244
edited Apr 17 at 21:33
answered Apr 17 at 2:25
sempaiscuba♦sempaiscuba
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1
Excellent, thanks. Aside from the cranial deformation, which sounds like it's pretty much cinched going by those remains, is there any reasonable speculation as to why they're so reptilian? (Going by the bug-eyes, snouts, and open nostrils, in the homeland of Gilgamesh and the Enuma Elish.) Or is there just not enough context available to say anything much about that? Secondarily, if you know, are those odd holes below the lips believed to be anything in particular? Piercings?
– Flux
Apr 17 at 3:31
2
@Flux There are lots of guesses about the appearance, but the truth is that we simply don't know. It could just be that was the artistic style of the time. It may have something to do with the function of the statuettes (we don't know what that was). Without texts or some other evidence it's all just guesswork. Since the soft tissues don't survive, the suggestion that the marks are tattoos or scarification are also guesses (in that case, based on evidence from ethnographic parallels, but still guesses).
– sempaiscuba♦
Apr 17 at 3:40
Ah, figured that would be the case.
– Flux
Apr 17 at 3:42
This is plausible for cranial features, but the facial ones? Why no parallel to Egyptian gods with animal heads, chimeras?
– LangLangC
Apr 17 at 4:33
3
@LangLangC You might find the suggested, tentative, links to other regional styles in the paper by Aurelie Daems, that I've just added to my answer, of interest.
– sempaiscuba♦
Apr 17 at 12:09
|
show 1 more comment
1
Excellent, thanks. Aside from the cranial deformation, which sounds like it's pretty much cinched going by those remains, is there any reasonable speculation as to why they're so reptilian? (Going by the bug-eyes, snouts, and open nostrils, in the homeland of Gilgamesh and the Enuma Elish.) Or is there just not enough context available to say anything much about that? Secondarily, if you know, are those odd holes below the lips believed to be anything in particular? Piercings?
– Flux
Apr 17 at 3:31
2
@Flux There are lots of guesses about the appearance, but the truth is that we simply don't know. It could just be that was the artistic style of the time. It may have something to do with the function of the statuettes (we don't know what that was). Without texts or some other evidence it's all just guesswork. Since the soft tissues don't survive, the suggestion that the marks are tattoos or scarification are also guesses (in that case, based on evidence from ethnographic parallels, but still guesses).
– sempaiscuba♦
Apr 17 at 3:40
Ah, figured that would be the case.
– Flux
Apr 17 at 3:42
This is plausible for cranial features, but the facial ones? Why no parallel to Egyptian gods with animal heads, chimeras?
– LangLangC
Apr 17 at 4:33
3
@LangLangC You might find the suggested, tentative, links to other regional styles in the paper by Aurelie Daems, that I've just added to my answer, of interest.
– sempaiscuba♦
Apr 17 at 12:09
1
1
Excellent, thanks. Aside from the cranial deformation, which sounds like it's pretty much cinched going by those remains, is there any reasonable speculation as to why they're so reptilian? (Going by the bug-eyes, snouts, and open nostrils, in the homeland of Gilgamesh and the Enuma Elish.) Or is there just not enough context available to say anything much about that? Secondarily, if you know, are those odd holes below the lips believed to be anything in particular? Piercings?
– Flux
Apr 17 at 3:31
Excellent, thanks. Aside from the cranial deformation, which sounds like it's pretty much cinched going by those remains, is there any reasonable speculation as to why they're so reptilian? (Going by the bug-eyes, snouts, and open nostrils, in the homeland of Gilgamesh and the Enuma Elish.) Or is there just not enough context available to say anything much about that? Secondarily, if you know, are those odd holes below the lips believed to be anything in particular? Piercings?
– Flux
Apr 17 at 3:31
2
2
@Flux There are lots of guesses about the appearance, but the truth is that we simply don't know. It could just be that was the artistic style of the time. It may have something to do with the function of the statuettes (we don't know what that was). Without texts or some other evidence it's all just guesswork. Since the soft tissues don't survive, the suggestion that the marks are tattoos or scarification are also guesses (in that case, based on evidence from ethnographic parallels, but still guesses).
– sempaiscuba♦
Apr 17 at 3:40
@Flux There are lots of guesses about the appearance, but the truth is that we simply don't know. It could just be that was the artistic style of the time. It may have something to do with the function of the statuettes (we don't know what that was). Without texts or some other evidence it's all just guesswork. Since the soft tissues don't survive, the suggestion that the marks are tattoos or scarification are also guesses (in that case, based on evidence from ethnographic parallels, but still guesses).
– sempaiscuba♦
Apr 17 at 3:40
Ah, figured that would be the case.
– Flux
Apr 17 at 3:42
Ah, figured that would be the case.
– Flux
Apr 17 at 3:42
This is plausible for cranial features, but the facial ones? Why no parallel to Egyptian gods with animal heads, chimeras?
– LangLangC
Apr 17 at 4:33
This is plausible for cranial features, but the facial ones? Why no parallel to Egyptian gods with animal heads, chimeras?
– LangLangC
Apr 17 at 4:33
3
3
@LangLangC You might find the suggested, tentative, links to other regional styles in the paper by Aurelie Daems, that I've just added to my answer, of interest.
– sempaiscuba♦
Apr 17 at 12:09
@LangLangC You might find the suggested, tentative, links to other regional styles in the paper by Aurelie Daems, that I've just added to my answer, of interest.
– sempaiscuba♦
Apr 17 at 12:09
|
show 1 more comment
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A link to further information would be helpful; I've never seen these and would like to learn more.
– Mark C. Wallace♦
Apr 17 at 8:36
1
@MarkC.Wallace I've added a link to a downloadable version of Aurelie Daems' excellent paper A Snake in the Grass. Reassessing the ever-intriguing ophidian figurines to my answer. That should help get you started and includes a very handy bibliography.
– sempaiscuba♦
Apr 17 at 12:03