What does this double-treble double-bass staff mean?What are all these symbols in some old sheet music?What does this split stem notation mean?What does this note - B# - mean?What does this indication mean?Where can I find a composition teacher?What does this symbol mean?Piano playing matching pitch of spoken voice - is there a name for this?How do you denote a multi-bar repetition in one hand for piano in Musescore 3?
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What does this double-treble double-bass staff mean?
What are all these symbols in some old sheet music?What does this split stem notation mean?What does this note - B# - mean?What does this indication mean?Where can I find a composition teacher?What does this symbol mean?Piano playing matching pitch of spoken voice - is there a name for this?How do you denote a multi-bar repetition in one hand for piano in Musescore 3?
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Half-way through Rachma.’s Prelude in C#m there is this connected set of double clefs. Can anyone tell me what to do? It was a single set of bass and treble clefs for half the song.
I thought maybe there was a DC Al Coda (sp.?) thing going on where I should perform one set and return to play the second... no idea really. Thanks in advance for the help.
piano notation
add a comment
|
Half-way through Rachma.’s Prelude in C#m there is this connected set of double clefs. Can anyone tell me what to do? It was a single set of bass and treble clefs for half the song.
I thought maybe there was a DC Al Coda (sp.?) thing going on where I should perform one set and return to play the second... no idea really. Thanks in advance for the help.
piano notation
5
Satirical rendition of that piece: youtube.com/watch?v=ifKKlhYF53w
– leftaroundabout
Aug 11 at 11:49
add a comment
|
Half-way through Rachma.’s Prelude in C#m there is this connected set of double clefs. Can anyone tell me what to do? It was a single set of bass and treble clefs for half the song.
I thought maybe there was a DC Al Coda (sp.?) thing going on where I should perform one set and return to play the second... no idea really. Thanks in advance for the help.
piano notation
Half-way through Rachma.’s Prelude in C#m there is this connected set of double clefs. Can anyone tell me what to do? It was a single set of bass and treble clefs for half the song.
I thought maybe there was a DC Al Coda (sp.?) thing going on where I should perform one set and return to play the second... no idea really. Thanks in advance for the help.
piano notation
piano notation
edited Aug 12 at 2:42
MattPutnam
16.5k2 gold badges37 silver badges63 bronze badges
16.5k2 gold badges37 silver badges63 bronze badges
asked Aug 11 at 5:15
Toby SamplesToby Samples
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735 bronze badges
5
Satirical rendition of that piece: youtube.com/watch?v=ifKKlhYF53w
– leftaroundabout
Aug 11 at 11:49
add a comment
|
5
Satirical rendition of that piece: youtube.com/watch?v=ifKKlhYF53w
– leftaroundabout
Aug 11 at 11:49
5
5
Satirical rendition of that piece: youtube.com/watch?v=ifKKlhYF53w
– leftaroundabout
Aug 11 at 11:49
Satirical rendition of that piece: youtube.com/watch?v=ifKKlhYF53w
– leftaroundabout
Aug 11 at 11:49
add a comment
|
4 Answers
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He was quite a good player - flamboyant, too. Looking carefully, in the double treble lines, he'd play the chord at the beginning of a bar, then the three quaver chords, come down again for the next octave on beat 3, then go back up again, and so on, all with the r.h. The l.h. is similarly played. There's so much going on, it's better to read (and write) separating the 'two parts' in each hand.And 'ffff' means give it all - no chance of playing the wrong note by mistake - everyone's going to notice!
It's virtually SATB, but for one player. Takes a bit of doing, but when it's ready, not only does it sound fantastic, but it looks spectacular.
5
And he had enormous hands, which is an advantage when playing his music.
– Your Uncle Bob
Aug 11 at 17:59
add a comment
|
All four staffs should be played simultaneously. Both treble staffs are for the right hand, both bass staffs are for the left hand.
It’s split up into double staffs just so that it doesn’t get as crowded as it would be on two staffs. This notation is fairly unusual but not exceptional, as a way to write densely-textured sections more readably.
Reference performance on YouTube, with score (double-staff passage at 2:21)
1
Note that starting on the next page (you can even see the marker here), the upper staff on the left hand moves up to a treble clef. Notating this on one staff would be a pain and very confusing to read, requiring the clef to change between every other chord. Hence why it's split up this way.
– Darrel Hoffman
Aug 12 at 17:18
add a comment
|
That's a case for the sostenuto pedal (the middle pedal, not the sustain pedal) on a grand piano. You play the chords in the 2nd and 4th system, hold the notes by downing the sostenuto pedal, then play the intermittent notes in the 1st and 3rd system (that are not held since the sostenuto pedal only holds notes that were active when it was being lowered) and release the sostenuto pedal just before playing the next long chord in the 2nd and 4th system.
add a comment
|
You can play it all at once. It's pretty 'bravura', but there's plenty worse in Rachmaninoff. :-) You could just about write it all on two staves if you wanted to.
add a comment
|
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4 Answers
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active
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4 Answers
4
active
oldest
votes
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He was quite a good player - flamboyant, too. Looking carefully, in the double treble lines, he'd play the chord at the beginning of a bar, then the three quaver chords, come down again for the next octave on beat 3, then go back up again, and so on, all with the r.h. The l.h. is similarly played. There's so much going on, it's better to read (and write) separating the 'two parts' in each hand.And 'ffff' means give it all - no chance of playing the wrong note by mistake - everyone's going to notice!
It's virtually SATB, but for one player. Takes a bit of doing, but when it's ready, not only does it sound fantastic, but it looks spectacular.
5
And he had enormous hands, which is an advantage when playing his music.
– Your Uncle Bob
Aug 11 at 17:59
add a comment
|
He was quite a good player - flamboyant, too. Looking carefully, in the double treble lines, he'd play the chord at the beginning of a bar, then the three quaver chords, come down again for the next octave on beat 3, then go back up again, and so on, all with the r.h. The l.h. is similarly played. There's so much going on, it's better to read (and write) separating the 'two parts' in each hand.And 'ffff' means give it all - no chance of playing the wrong note by mistake - everyone's going to notice!
It's virtually SATB, but for one player. Takes a bit of doing, but when it's ready, not only does it sound fantastic, but it looks spectacular.
5
And he had enormous hands, which is an advantage when playing his music.
– Your Uncle Bob
Aug 11 at 17:59
add a comment
|
He was quite a good player - flamboyant, too. Looking carefully, in the double treble lines, he'd play the chord at the beginning of a bar, then the three quaver chords, come down again for the next octave on beat 3, then go back up again, and so on, all with the r.h. The l.h. is similarly played. There's so much going on, it's better to read (and write) separating the 'two parts' in each hand.And 'ffff' means give it all - no chance of playing the wrong note by mistake - everyone's going to notice!
It's virtually SATB, but for one player. Takes a bit of doing, but when it's ready, not only does it sound fantastic, but it looks spectacular.
He was quite a good player - flamboyant, too. Looking carefully, in the double treble lines, he'd play the chord at the beginning of a bar, then the three quaver chords, come down again for the next octave on beat 3, then go back up again, and so on, all with the r.h. The l.h. is similarly played. There's so much going on, it's better to read (and write) separating the 'two parts' in each hand.And 'ffff' means give it all - no chance of playing the wrong note by mistake - everyone's going to notice!
It's virtually SATB, but for one player. Takes a bit of doing, but when it's ready, not only does it sound fantastic, but it looks spectacular.
answered Aug 11 at 7:39
TimTim
118k12 gold badges113 silver badges295 bronze badges
118k12 gold badges113 silver badges295 bronze badges
5
And he had enormous hands, which is an advantage when playing his music.
– Your Uncle Bob
Aug 11 at 17:59
add a comment
|
5
And he had enormous hands, which is an advantage when playing his music.
– Your Uncle Bob
Aug 11 at 17:59
5
5
And he had enormous hands, which is an advantage when playing his music.
– Your Uncle Bob
Aug 11 at 17:59
And he had enormous hands, which is an advantage when playing his music.
– Your Uncle Bob
Aug 11 at 17:59
add a comment
|
All four staffs should be played simultaneously. Both treble staffs are for the right hand, both bass staffs are for the left hand.
It’s split up into double staffs just so that it doesn’t get as crowded as it would be on two staffs. This notation is fairly unusual but not exceptional, as a way to write densely-textured sections more readably.
Reference performance on YouTube, with score (double-staff passage at 2:21)
1
Note that starting on the next page (you can even see the marker here), the upper staff on the left hand moves up to a treble clef. Notating this on one staff would be a pain and very confusing to read, requiring the clef to change between every other chord. Hence why it's split up this way.
– Darrel Hoffman
Aug 12 at 17:18
add a comment
|
All four staffs should be played simultaneously. Both treble staffs are for the right hand, both bass staffs are for the left hand.
It’s split up into double staffs just so that it doesn’t get as crowded as it would be on two staffs. This notation is fairly unusual but not exceptional, as a way to write densely-textured sections more readably.
Reference performance on YouTube, with score (double-staff passage at 2:21)
1
Note that starting on the next page (you can even see the marker here), the upper staff on the left hand moves up to a treble clef. Notating this on one staff would be a pain and very confusing to read, requiring the clef to change between every other chord. Hence why it's split up this way.
– Darrel Hoffman
Aug 12 at 17:18
add a comment
|
All four staffs should be played simultaneously. Both treble staffs are for the right hand, both bass staffs are for the left hand.
It’s split up into double staffs just so that it doesn’t get as crowded as it would be on two staffs. This notation is fairly unusual but not exceptional, as a way to write densely-textured sections more readably.
Reference performance on YouTube, with score (double-staff passage at 2:21)
All four staffs should be played simultaneously. Both treble staffs are for the right hand, both bass staffs are for the left hand.
It’s split up into double staffs just so that it doesn’t get as crowded as it would be on two staffs. This notation is fairly unusual but not exceptional, as a way to write densely-textured sections more readably.
Reference performance on YouTube, with score (double-staff passage at 2:21)
answered Aug 11 at 19:47
PLLPLL
5533 silver badges7 bronze badges
5533 silver badges7 bronze badges
1
Note that starting on the next page (you can even see the marker here), the upper staff on the left hand moves up to a treble clef. Notating this on one staff would be a pain and very confusing to read, requiring the clef to change between every other chord. Hence why it's split up this way.
– Darrel Hoffman
Aug 12 at 17:18
add a comment
|
1
Note that starting on the next page (you can even see the marker here), the upper staff on the left hand moves up to a treble clef. Notating this on one staff would be a pain and very confusing to read, requiring the clef to change between every other chord. Hence why it's split up this way.
– Darrel Hoffman
Aug 12 at 17:18
1
1
Note that starting on the next page (you can even see the marker here), the upper staff on the left hand moves up to a treble clef. Notating this on one staff would be a pain and very confusing to read, requiring the clef to change between every other chord. Hence why it's split up this way.
– Darrel Hoffman
Aug 12 at 17:18
Note that starting on the next page (you can even see the marker here), the upper staff on the left hand moves up to a treble clef. Notating this on one staff would be a pain and very confusing to read, requiring the clef to change between every other chord. Hence why it's split up this way.
– Darrel Hoffman
Aug 12 at 17:18
add a comment
|
That's a case for the sostenuto pedal (the middle pedal, not the sustain pedal) on a grand piano. You play the chords in the 2nd and 4th system, hold the notes by downing the sostenuto pedal, then play the intermittent notes in the 1st and 3rd system (that are not held since the sostenuto pedal only holds notes that were active when it was being lowered) and release the sostenuto pedal just before playing the next long chord in the 2nd and 4th system.
add a comment
|
That's a case for the sostenuto pedal (the middle pedal, not the sustain pedal) on a grand piano. You play the chords in the 2nd and 4th system, hold the notes by downing the sostenuto pedal, then play the intermittent notes in the 1st and 3rd system (that are not held since the sostenuto pedal only holds notes that were active when it was being lowered) and release the sostenuto pedal just before playing the next long chord in the 2nd and 4th system.
add a comment
|
That's a case for the sostenuto pedal (the middle pedal, not the sustain pedal) on a grand piano. You play the chords in the 2nd and 4th system, hold the notes by downing the sostenuto pedal, then play the intermittent notes in the 1st and 3rd system (that are not held since the sostenuto pedal only holds notes that were active when it was being lowered) and release the sostenuto pedal just before playing the next long chord in the 2nd and 4th system.
That's a case for the sostenuto pedal (the middle pedal, not the sustain pedal) on a grand piano. You play the chords in the 2nd and 4th system, hold the notes by downing the sostenuto pedal, then play the intermittent notes in the 1st and 3rd system (that are not held since the sostenuto pedal only holds notes that were active when it was being lowered) and release the sostenuto pedal just before playing the next long chord in the 2nd and 4th system.
answered Aug 11 at 11:04
user62474user62474
add a comment
|
add a comment
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You can play it all at once. It's pretty 'bravura', but there's plenty worse in Rachmaninoff. :-) You could just about write it all on two staves if you wanted to.
add a comment
|
You can play it all at once. It's pretty 'bravura', but there's plenty worse in Rachmaninoff. :-) You could just about write it all on two staves if you wanted to.
add a comment
|
You can play it all at once. It's pretty 'bravura', but there's plenty worse in Rachmaninoff. :-) You could just about write it all on two staves if you wanted to.
You can play it all at once. It's pretty 'bravura', but there's plenty worse in Rachmaninoff. :-) You could just about write it all on two staves if you wanted to.
answered Aug 11 at 11:52
Laurence PayneLaurence Payne
46.6k1 gold badge28 silver badges95 bronze badges
46.6k1 gold badge28 silver badges95 bronze badges
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5
Satirical rendition of that piece: youtube.com/watch?v=ifKKlhYF53w
– leftaroundabout
Aug 11 at 11:49